Articles & Reviews

Backlund, Nicholas. “Lee Boroson; Sculptor.” San Diego Daily Transcript (20 September 1994).

Baker, R.C. “Best in Show” The Village Voice, June 28

Birke, Judy. “Spotlighted at Artspace, a cityscape with a view.” New Haven Register (22 September 2003).

Blandford, Kristin. “Gender Allusion.” Surface, no. 21 (1999).

Camhi, Leslie. “Blow Up.” The Village Voice (13 February 2002).

Cotter, Holland. “Sculpture Under the Sky: Free, Daring and Soon Departed.” The New York Times (26 August 1994): C1.

Curcio, R. “’Softcore’: Joseph Helman Gallery.” Sculpture 20, no. 5 (June 2001): 73-74.

Dalton, Jennifer. “Fashioned.” Review Magazine (15 September 1998).

Delblanco, Andrea. “Men With Needles and Some Points to Make.” The New York Times (7 November 1999): CY16.

Eck, Michael. “The Inflatables; Lee Boroson’s Airy Clouds and Rambling Castles Fill the Tang.” The Times Union (February 3, 2005): P20

Freedman, Matt. “Emerging Sculptors 10.” Review Magazine (15 January 1997).

Goodman, Jonathan. “All of the Above at Sara Meltzer Gallery” Sculpture 26, no. 1 (January February 2007): 71-72.

Goodman, Jonathan. “Lee Boroson: Whitney Museum of American Art at Philip Morris.” Sculpture 19, no. 7 (September 2000): 64-65.

Griffin, Tim. “Review of Crest Hardware Show.” World Art (January 1997).

Herd, Collin. “Imitating the Natural World” Aesthetica Magazine (October/ November 2014): 61.

Hershenson, Roberta. “Sunlight and Shade Infuse Sculptures.” The New York Times (11 July 1999) sec. 14WC: 19.

Hill, Shawn. “Loving and Delving.” Bay Windows (February 1998).

Huntington, Richard. “Cloudy Thinking.” The Buffalo News (3 May 2002): G18.

Jarmusch, Ann. “Three dimensions and beyond.” San Diego Tribune (24 May 1991).

Johnson, Ken. “Another Place.” The New York Times (10 September 1999): sec. E: 36.

———.  “Fred Tomaselli and Lee Boroson.” The New York Times (24 December 1999): sec. E: 52.

———. “Skintight.” The New York Times (26 November 1999): sec. E: 42.

Kimmelman, Michael. “’93 New York 50’ at Socrates Sculpture Park.” The New York Times (6 August 1993): C30.

Levin, Kim. “Lee Boroson + Fred Tomaselli.” The Village Voice (5 January 2000).

London, Sara. “Installations challenge the eye, defy definition.” Cape Cod Times (29 January 1993).

MacMillan, Kyle. “Bemis Center Installations a Fun, Sensuous Experience” Omaha World Herald (18 June 2000): 13.

Mante, Alexis.  “Students create ‘insider’ artwork.“ New Haven Register (15 July 2003).

McNally, Molly. “Lily Pads and Neon Chromosomes.” The Reader (2 August 2000).

McQuaid, Cate. “Lily pads and other inflated pleasures.” The Boston Globe (29 April 1999): E3.

McQuaid, Cate.  “Sculpture, Photos capture things in flux.” The Boston Globe (16 January 2004): D16.

Ollman, Leah. “Sculpture that touches spirit.” The Los Angeles Times (22 May 1991): 1.

Pincus, Robert. “Objects of wit, metaphor.” San Diego Union (25 May 1991).

Reed, Victoria. “Review.” The Los Angeles Times (11 March 1992).

Richard, Frances. “Underpass at Whitney Philip Morris,” Artforum 38, no. 10 (Summer 2000): 185.

Shales, Ezra. “Emerging Sculptors 10.” Review Magazine (15 January 1997).

Thorson, Alice. “‘Windowbox’ on the world.” The Kansas City Star (10 December 2000).

Toivanen, Kati. “On Topic: Interiors, Balloons, and Marcel Duchamp.” Review Magazine (December 2000).

Unger, Miles. “Lee Boroson: Pleasure Grounds.” Art New England 20, no. 5 (August/September 1999).

Viveros-Faune, Christian. “Lee Boroson.” Contemporary, no. 64 (2004).

Waterman, Jill. “Lee Boroson’s Fabricated Garden.” artsMEDIA (December 1999).

Wisniewski, Adam. “Sew what?; Men pick up the needle but avoid getting into knots about gender.” Time Out New York, no. 219 (2 December 1999).

Worth, Alexi. “Star Track: The Next Generation—Lee Boroson.” ARTnews 97, no. 5 (May 1998): 159.

Zimmer, William. “A Dozen Artists at Work Within a Challenging Space.” The New York Times (29 November 1998) sec. 14WC: 20.